Those scenes and others may also come across as tense and disturbing to many viewers. Not surprisingly -- considering the plot -- the film is filled with extreme bad attitudes with many social and ethnic slurs being uttered along with the radical ideologies such as being a skinhead that some teens may want to imitate. No longer full of racial anger and hate, he's concerned when he sees that Danny -- who's having his own problems with some black schoolmates -- has become a skinhead under the guidance of his former mentor, Cameron Alexander STACY KEACH , a middle-aged white supremacist.
After all, how often have you seen water slowly cascading onto a person in the shower? On several occasions the dialogue feels contrived and forced, such as when the boys' long suffering mother -- otherwise effectively played by Beverly D'Angelo -- chats with Danny about not knowing how they "got here" their living conditions and problems. Due to the severity of all of that and other material, we strongly suggest that you take a closer look at the content should someone in your home desire to see this film. Having served time for that, he's now a changed man and hopes to prevent his brother from traveling down the same path he already has. While some may make a big fuss about those problems and perhaps Kaye's vivid shooting style, such problems aren't horrible and certainly not bad enough to do much harm in distracting the viewer from the proceedings. Upon his release, Derek is a new man. Effectively and efficiently mixing present day color footage with the film's many and often prolonged flashbacks shot in black and white, Kaye delivers some of the more chilling and taut sequences that I've seen in a film in a long time. One sexual encounter is seen with movement and limited nudity and nonsexual nudity male frontal and rear also occurs. Those scenes and others may also come across as tense and disturbing to many viewers. Despite recent, and quite vehement disagreement over the final cut on this film that had Kaye wanting his name removed from the finished product and replaced with, of all things, "Humpty Dumpty" , this is an impressive feature that will not only stick with you long after you've seen it, but should also whet one's appetite for what Kaye might deliver in the future. Despite a few glitches and a limited amount of voice over which is mostly acceptable since the story's told in flashback anyway , this is an impressive picture. All of this praise doesn't mean the picture's perfect, however. Here's a quick look at the film's content. What you won't be able to overlook, however, is the amazing performance from Edward Norton "Primary Fear," "Rounders". For the most part, the gripping story and first-time screenwriter David McKenna's often brilliant and rapid fire dialogue easily allow the audience to overlook any minor deficiencies. Violence is extreme with several fatal shootings one of which is very bloody and a prison rape. Even so, this is probably Furlong's best role in his still relatively young career. If they're fans of Norton, Furlong, or Balk, they might, but this one seems geared more toward older teens at best. Beyond the mild overuse of dramatically slowed footage, the film is occasionally too "on the nose," particularly involving the scenes telegraphing the fact that hatred is often born through contactual osmosis although it certainly makes up for the complete omission of such matters in last week's "Apt Pupil". Upon his release from prison, a former skinhead tries to prevent his younger brother from following him down the same path of hatred and violence. There's little doubt that this role -- that portrays one of the more menacing and scary characters to come along in years -- will earn him yet another Oscar nomination, and he may just be the odds on favorite to take home that statuette. Strutting his technical visual prowess -- he also served as the film's cinematographer -- Kaye may occasionally go a bit too far with the slow motion effects. Like his onscreen character, however, he can't help but be overshadowed by his more charismatic costar. Deep Space Nine" delivers a believable performance as the tough, but caring high school principal, while Stacy Keach TV's "Mike Hammer, Private Eye" is appropriately creepy and deranged as the near mythic leader of the skinheads. Featuring a good score by Anne Dudley, a bold and visually stunning shooting style, and a stellar performance from Norton, this is one of the better films of the year and clearly one you soon won't forget.
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